These are two records that came out in the last month that are FANTASTIC. Please check them out and buy them!
These are two records that came out in the last month that are FANTASTIC. Please check them out and buy them!
I am thrilled to say that you can now purchase my record online from http://kevinlong.bandcamp.com/ .
CD release shows are planned in Seattle (Saturday July 9th, Columbia City Theater) and Spokane (Tuesday July 12, A-Club).
Stream the record, and buy the digital download or pre-order the CD, which ships in about two weeks:
My buddy Eratosthenes shot some videos of local artists outside the Conor Byrne open mic night this past sunday, here is mine playing my song “Goodnight Moon” at a Marina up in Ballard, Seattle.
I’m not sure how many times someone has asked me what my favorite song is. How could anyone answer that? At one point I made a list of my “top 100″ favorite songs. Maybe I can find that somewhere.
For now I would just like to pick 10 songs that I feel changed my life in some way. I don’t want to think too hard about it either, so here goes. There will be some obvious ones and maybe some not so obvious ones.
IN NO PARTICULAR ORDER !
If this isn’t an absolutely quintessential record for all lovers of electronic music and beautiful sound in general than I don’t know what is.
They put out two more records after this, “Map of what is effortless” which contained vocals on nearly every track, many in an “RnB” kind of style which was a bit surprising (but grew on me), and the more 80′s synth pop influenced “Immolate Yourself”.
One of the two band members, Charlie Cooper, was found dead in a park in 2009, apparently from a lousy combination of alcohol and sleeping pills. His bandmate Joshua Eustis defends that Charlie was not suicidal and would not have meant to take his own life–though his life had taken a “dark turn” apparently. Very sad, but this guy left behind some very beautiful music and Telefon Tel Aviv continues to operate with Josh Eustis and a new member.
This band helped me realize how amazingly beautiful electronic music could be, and how well organic and electronic elements can be combined. These guys didn’t cheat with a bunch of ableton plugins- they are/were regular old Pro Tools guys, armed with a real Fender Rhodes piano, guitars, and glitchy beats for DAYS.
Again, I remember the first time I heard this track (only 3-4 years ago). I was hanging out with a girl who is an old friend of mine, who I had a big crush on at the time. We were browsing through hats and jewelery and crap (something I wouldn’t do unless I was following a girl around like an idiot) at an antique store in Spokane called Finders Keepers when I heard the chorus over the store stereo.
I remember when the chorus kicked in, just those simple words “that’s how strong my love is”, but in such an amazing soulful voice. I went home and google’d the lyrics to find out it was Otis Redding, a familiar name.
I’ve since become a HUGE fan of Otis Redding, but then again, how could you not be, given the chance?
Rolling stone named Redding #8 in the greatest singers of all time. I think he might be even closer towards #1 in my book.
He is probably best known his single “Sitting on the Dock of the Bay”, which was, as legend has it, recorded only a few days before (and released after) his tragic death in a plane crash into a lake at the young age of 26.
Otis’s voice opened the doors for me into the world of soul music. I think it has done this for a lot of people.
In my usual stubborn fashion – I had discounted this band on the basis of their name for a good year or two. I thought it sounded stupid and couldnt be good.
I was VERY depressed, I had got mega-dumped and I was in one of those funks where you hardly leave the house for weeks. My roommate at the time, a good friend of mine to this day, insisted that I get out of the house to go see this band with her.
It was probably 2004, and I was living in an apartment about a block from Chop Suey on Capitol Hill in Seattle. The show was at Neumos (might have been called Noiselab at the time!), the band wasn’t TOO popular then, but they had the place more or less packed out.
I remember a drunk guy in the audience heckling them a number of time between songs calling them “radiohead wannabes”. The singer (frontman? hard to say in this band) took the heckling graciously and with a smile even, and asked the drunk man and the audience, “aren’t we all radiohead wannabes though really?”.
I enjoyed the set, was impressed by the band dynamics with so many members contributing so many different things, but towards the end of the show things slowed down and a girl took the front stage mic and blew us all to pieces.
My jaw was literally on the floor towards the end of this song. I could have cried. and ya, they had her vocoded or whatever the hell they do to make it sound so weird and cool.
Getting out of the house that night helped get me out of that funk, and hearing this band play this song got me stoked on music again.
My dad and uncles were big fans of Neil Young – I think he is one of my biggest influences of all time. The first song I ever learned to play on the guitar was “Needle and the Damage Done” (thanks dad) .
It wasn’t Dylan that made me want to play the harmonica – it was this song.
Eleven years ago I recorded a song for the first time (I had a tascam 414 4-track but im not sure i ever recorded a full song on it). This time I recorded the song into a friends computer with a shitty mirophone. I was 16.
I played the song for my friend BJ , who was into a lot of christian hardcore metal stuff like Zao and Living Sacrifice. He told me “You should like Pedro the Lion, dude”.
Pedro the what?
That was the beginning of something. I downloaded some Pedro the Lion (this was probably around 2000 or something so I probably used IRC or napster to get the files). I’m fairly certain Simple Economics was the first Pedro the Lion song I ever heard.
I remember being floored by the lyrics to the chorus “When you’re nothing but a boyfriend, dangling by a thread, keep in mind the bottom line: diamonds are a girl’s best friend”.
Anyone who knows me probably knows that Pedro, and all other work by David Bazan have been one of the biggest and most obvious influences in my music.
And ya, our voices do sound a bit alike, sometimes.
I think I saw the music video for “Heart Shaped Box” , and the Nirvana Unplugged air on MTV about a month before Kurt took his own life. I was only 10 years old, and ya I think I had an Ace of Base cd, and Shaquille O’neill’s rap album, and of course Boyz II men “Cooley High Harmony”, but I was already starting to get hip to Neil young and Zeppelin.
Especially during my pre-teen and teenage years-like millions of other emotionally unstable youth battling feelings of alienation and trying to find their own place in this world, Nirvana just hit the nail right on the head.
Some other Nirvana fav’s : Drain You / Lounge Act / All Apologies / Serve the Servants .. Ah.. there just too many.
I pick this one because it just boils it down. This song helped me realize how powerful melancholy can be- and how there is no such thing as too much sad, if its the real deal. I’m a sucker for sad songs.
I discovered Andrew Bird when this record came out. It’s called “Andrew Bird and the Mysterious Bowl of Eggs”. This record, and the next 3 after it, are all so mindblowing that I can’t think of words to really describe it. The level of musicianship in Bird’s voice, violin, guitar, whistling, and whatever else he does, is nearly unparalleled in my mind.
Bird’s lyrics are VERY clever. Sometimes they are emotional, often times they are playful and funny. Sometimes he can make you want to laugh and cry in the same song.
This track is a good jumping off point into a VERY impressive collection. I wouldn’t say its his best song-not even close, there are just too many good ones, but this is a great place to start.
Bird helped me realize that music can be beautiful and emotional without being mopey, or political, or angry, or whatever. Its just good music for listening and enjoying, and you almost feel yourself getting smarter just by listening to it.
Ya, I admit it. I think I heard this song from the Royal Tenenbaum’s soundtrack, but whatever, thats like my favorite movie. (Thinking about what a cliche I am right now, blogging and referencing a Wes Anderson film).
That’s not the point though. This song was not written by Nico. This song was written by a 16 year old named Jackson Browne. You may have heard of him . Jackson Browne was always one of my Dad’s favorites, and I enjoyed his records a lot when I was younger (actual records).
Browne wrote this song when he was 16, but gave it to Nico for this record, and he performed this fingerpicking guitar on electric for the recording, when he was 20 years old if I recall correctly.
How it changed my life? I was DETERMINED to learn to play this guitar riff, SPOT-ON. I’ve heard a lot of covers of this song, and nobody plays it right. Even Jackson Browne’s own live album , he simplifies the guitar picking compared to this original version.
I had to slow the song down in soundforge so I could figure how the picking pattern, and it look a lot of practice to get it right.
I credit this song more than any other song with helping me get good at fingerpicking, which is something I am complimented on quite a bit, which is weird because I don’t even think about it anymore, I just do it.
Man, does this song bring me back. That’s the thing though, it brought me back the first time I heard it. Thats what this song is. “In many ways, we’ll miss the good old days”.
I’m not sure what else to say about this song, other than I’m going to play it for my grand children if I ever have any, and every time I hear it , its gonna bring me back to 2001 when I was in high school and in love – and to wherever else it decides it wants to take me.
It hurts so good.
This is an interesting pick because of all the songs on this list, this is by far the newest one. I think this album only dropped early 2010.
When I got my hands on this album I was fairly recently sobered up (probably 4-5 months) and I needed some music that would help me feel strong and focused on success.
I’m not sure what it is about this song that makes me feel that way-but it does. Its very primal, spiritual, and transcendental.
I would put this track on as my first listen when starting out on some very long runs , which were a necessity because I was suffering very very extreme anxiety attacks at the time while my mind and body were recovering from all the stupid crap I had done to myself throughout the years.
If you are feeling frustrating and need to get in your zone , I recommend this song. It is very powerful. The vocals are not by a usual Massive Attack member, they are Tunde Adebimpe of the band “TV on the Radio”.
Something like 3 years ago I caught I ride to Seattle from Spokane with my friend Karli Fairbanks (now Karli Ingersoll). She was playing a show at Q-Cafe with a band called Pickwick and somebody else. I wanted to go hang out with an ex-girlfriend, so I didn’t end up staying at the show to catch either Karli or Pickwick, and I felt kinda bad about it.
I never really even heard Pickwick, had just heard the name a few times over the last few years. I knew they had come to Spokane a few times, but I never went to the shows. Then back in October I think it was (I had recently moved back to Seattle), my buddies Mon Cheri were in Seattle recording with Kory Kruckenberg (who also recorded my forthcoming album, and all of the new Pickwick stuff), and so I met up with the Mon Cheri folks at the Sunset Tavern in Ballard for a Pickwick show.
I was sitting in the back chatting with my friends when Pickwick started to play. A song or two in I remember thinking: A) Wow, this is absolutely nothing like what I thought it was going to be B) This fucking rules, C) Damn that guy can sing .
I’ve been to 5 Pickwick shows now, that Sunset Tavern show, Blue Moon Tavern, Tractor, some loft space in Tacoma, and The High Dive.
Its been exciting seeing the reaction from fellow Seattle show goers and musicians to their music. It’s been apparent that people are catching on quick to their fresh but classic sound. The energy at their show at the Tractor a few months ago was pretty incredible-people who were there felt lucky to be there.
Another contributing factor to the Pickwick buzz was the excellent sounding/looking video that they made in conjuction with Sound on the Sound (check it out below).
A few months ago I was jogging and listening to Pickwick on my ipod and “When Rosa Speaks” came on. It dawned on me that although I really like all of their songs, this one was my favorite for some reason. I wondered to myself if there was any way I could do a cover of it.
A little less than a week ago I hollered at galen (@galenbaby) on twitter and asked if he would send me the lyrics. The next day they were in my gmail – and I started thinking about how I could cover it. I felt an open tuning would be appropriate and I hadn’t used open G tuning in quite a while so I gave that a shot (then capo 2 if anyone cares).
Two evenings of fiddling with it and here is the result. I like it alot, and the Pickwick guy’s gave me permission to share it with you guys.
Hear the original here, and buy their music !!!! Pickwick on Bandcamp
Sound on the Sound – Pickwick “Live From the Basement” Video:
I am quite excited to be playing in my hometown Spokane, WA next weekend May 1st with Junip.
Junip is a band that Jose Gonzales was in before he became famous for his solo work, and then recently re-united with and put out the album “Fields” . They are touring in support of Fields.
You’ve probably already heard this stunning cover of “heartbeats” by the Knife that Gonzalez did some years ago that was used for the Sony Bravia commercial:
The Junip album is very good, I have been listening to it a lot! Check out the first track on the record!
If you are in Spokane, you better be at this show!